Friday, January 24, 2020
How to Improve in Shakespeares The Tempest :: Tempest essays
How to Improve Shakespeare’s Tempest  Mr. William Shakespeare, I am going to get right down to business. I am writing to you regarding our recent collaboration on The Tempest. In my opinion I think we need to make a couple of changes. The first is in regards to Caliban and the second has to do with Prospero.         As I was reading the section of the play where Caliban takes Stephano as his master I began to think about how he should be wiser by now. As is Caliban begs a drunken Stephano to be his master. In my opinion Caliban should show development by not drinking and possibly taking advantage of the drunk Stephano and Trinculo. It should develop in this fashion:         Caliban:     I believe that I can assist you in your stay on the island.         Stephano:     What mean you beast?         Caliban:             I prithee, let me bring thee where crabs grow,                    And I with my long nails will dig thee pignuts,                    Show thee a jay's nest, and instruct thee how                    To snare the nimble marmoset. I'll bring thee                    To clustering filberts, and I'll teach thee to get                    Young scamels from the rock. Does't though attend me?      Stephano:     I do. For all this service what want'st you in return.      Caliban:      I ask but one simple service. The death of my tyrant                    master.      Stephano:     You ask me to murder for you?      Caliban:      I ask only that you remove your only opponent in making                    me your vassal.      Stephano:     Well bargain'd for a monster such as thee. I shall                    consider it.  If the scene is run in this way Caliban is developed as more human and less monster. Also it adds more urgency to the possible danger Stephano and Trinculo bring, but the comic aspect remains because the two are drunk.         My second suggestion addresses the issues of Prospero and tempests. At the end of the play there is the opportunity for great suspense. The interaction between Prospero and his brother and conspirator could be much more intense. You could easily create an internal conflict for Prospero where he debates whether or not to take action against Antonio. Of course he cannot have given up his powers at this point. Instead of just letting Antonio alone Prospero could use his magic to give him pains, make him small or one of many other whimsical tricks to teach Antonio a lesson; I think that causing Antonio to sleep and in turn not taking him home would be the most fitting punishment. How to Improve in Shakespeare's The Tempest :: Tempest essays How to Improve Shakespeare’s Tempest  Mr. William Shakespeare, I am going to get right down to business. I am writing to you regarding our recent collaboration on The Tempest. In my opinion I think we need to make a couple of changes. The first is in regards to Caliban and the second has to do with Prospero.         As I was reading the section of the play where Caliban takes Stephano as his master I began to think about how he should be wiser by now. As is Caliban begs a drunken Stephano to be his master. In my opinion Caliban should show development by not drinking and possibly taking advantage of the drunk Stephano and Trinculo. It should develop in this fashion:         Caliban:     I believe that I can assist you in your stay on the island.         Stephano:     What mean you beast?         Caliban:             I prithee, let me bring thee where crabs grow,                    And I with my long nails will dig thee pignuts,                    Show thee a jay's nest, and instruct thee how                    To snare the nimble marmoset. I'll bring thee                    To clustering filberts, and I'll teach thee to get                    Young scamels from the rock. Does't though attend me?      Stephano:     I do. For all this service what want'st you in return.      Caliban:      I ask but one simple service. The death of my tyrant                    master.      Stephano:     You ask me to murder for you?      Caliban:      I ask only that you remove your only opponent in making                    me your vassal.      Stephano:     Well bargain'd for a monster such as thee. I shall                    consider it.  If the scene is run in this way Caliban is developed as more human and less monster. Also it adds more urgency to the possible danger Stephano and Trinculo bring, but the comic aspect remains because the two are drunk.         My second suggestion addresses the issues of Prospero and tempests. At the end of the play there is the opportunity for great suspense. The interaction between Prospero and his brother and conspirator could be much more intense. You could easily create an internal conflict for Prospero where he debates whether or not to take action against Antonio. Of course he cannot have given up his powers at this point. Instead of just letting Antonio alone Prospero could use his magic to give him pains, make him small or one of many other whimsical tricks to teach Antonio a lesson; I think that causing Antonio to sleep and in turn not taking him home would be the most fitting punishment.
Thursday, January 16, 2020
Milk and Cassava Cake Essay
Test for doneness – please see Cook’s Tip below. 5 Let the Cassava Cake cool down for 30 minutes or longer before slicing and serving. BENG’S TIPS * The cassava cake cooks faster if you portion the mix into 2 or 3 smaller pans than baking them all in one pan. The center of the cake gets cooked last so to test for doneness – the top should be golden brown, then insert a toothpick in the center and if comes out clean, it’s done. * Substitution : for a creamier, tastier cake, use Half and Half, light cream or evaporated milk instead of whole milk. Also, you can use 6 egg yolks instead of 3 whole eggs. It is made from grated cassava which Filipinos call kamoteng kahoy or balanghoy. Desserts made from cassava are very popular because cassava is easily grown anywhere in the country. This is another kakanin (Filipino native sweet delicacies) that is so perfect for special occasions and even for regular snack or dessert. It is so easy to make â€â€just mix all the ingredients and put it in the oven! The only hard part is waiting for it to bake! 🙂 Cassava cake is so popular that there are a lot of different versions available. In a large bowl, mix all cake ingredients thoroughly. 4. Transfer to a lightly greased baking dish or pan. Bake for 1 hour. 5. Pour the condensed milk and egg mixture on top of the cassava cake. Bake for 20 minutes more or until desired brown color is achieved. (I usually bake it for 25-30 minutes because my husband loves it with a little burnt sides. ) 6. Remove from oven and allow to cool down completely. (In the Philippines, it is usually topped with grated cheese, but my daughters don’t like it that way so I omitted that part. ) 7. Slice and serve for dessert or even for snack.
Tuesday, January 7, 2020
Oedipus and Creon in Sophocles Oedipus the King Essay
Oedipus and Creon in Sophocles Oedipus the King At first glance, Oedipus and Creon are two very different people. But as time progresses their personalities and even their fates grow more and more similar. In Sophocles’s play â€Å"Oedipus the King†, Oedipus and Creon are two completely opposite people. Oedipus is brash and thoughtless, whilst Creon is wise and prudent. In â€Å"Oedipus the King†, Oedipus effectively portrays the idea of the classic â€Å"flawed hero†. He becomes arrogant and brash. He accuses Creon and Tiresias of treachery. Even worse however, Oedipus goes against the gods. This causes them to punish him severely. Creon is the exact antithesis of Oedipus. He thinks before he acts. Creon is wise and loyal. In Sophocles’ other†¦show more content†¦Soon enough however, a guard comes running in to tell him that Polynices has indeed been buried. Creon is furious. He immediately accuses the guard of burying him. â€Å"You are a born nuisance†(75), he says, â€Å"You squandered your life for money†(75). The guard summarizes Creon’s transformation from patient ruler to brash king when he says â€Å"Oh it’s terrible when the one who does the judging judges things all wrong†(75). Creon, just like Oedipus, accused the guard of something he didn’t do. He lacked proof and he had little evidence, but he proclaimed him to death anyway. Oedipus and Creon are alike in yet another way. They both committed vile acts of hubris. Both of them went against the gods for feckless and pointless reasons. Oedipus committed hubris by insulting Tiresias. He accuses Tiresias of â€Å"betraying us, destroying Thebes†(177). Tiresias is a prophet of the gods. He is just telling Oedipus what he has seen. Tiresias’s refusal to tell Oedipus his secrets only results in more name-calling and humiliation. Oedipus calls him the â€Å"scum of the earth†(178). Oedipus is so enraged by his prophecies that he accuses him of â€Å"helping to hatch the plot†(178). Oedipus suspects that Tiresias is being bribed. â€Å"Who primed you for this? Not your prophet’s trade†(179), he says. Oedipus’ rashness lead him to accuse Tiresias, a prophet of the gods and a wise seer, that he is corrupt and a fraud. This is obviouslyShow MoreRelated Comparing Creons Metamorphosis in Antigone, Oedipus the Kin g, and Oedipus at Colonus1114 Words  | 5 Pagesin Antigone, Oedipus the King, and Oedipus at Colonus     Temptation is ever present in our society and always has been throughout human history. When a person gives into temptation, this is seen as a sign of weakness. Usually, after a person has given into temptation once, that person will find each successive temptation easier and easier to give in to. Before realizing it, this person has changed into a completely false, morally lacking being. Over the course of Sophocles three plays AntigoneRead More Character Analysis: The Personality of Oedipus Essay1630 Words  | 7 Pagesstory. Creon, from the play â€Å"Oedipus the King†by Sophocles is used for both of these reasons. Sophocles wished to show that one cannot escape fate, yet did not want to cloud this issue with a possible coupe against his main character Oedipus. He also showed how, at times one character can act completely irrational, while one remains calm in the face of serious accusations. Creon is the brother of Iocaste, the Queen of Thebes, and was the brother-in-law to both King Laios and King Oedipus. WhenRead MoreSophocles The King And Antigone Essay1566 Words  | 7 Pages Sophocles wrote about kings. Mythological, or at least long dead, the regal protagonists of fraction of Sophocles’ surviving work embody the political realities of the ancients’ time. By examining and analyzing the origins and nature of kingship in Sophocles, one can glean a sliver of insight into a civilization that has all but disappeared. Sophocles’s kings were great human leaders, reaching their position through impressive deeds or standing in the community. Although they wielded great powerRead MoreThe Tragic Heroes Of Sophocles Oedipus The King And Antigone1275 Words  | 6 Pagesone of the most hidden but controlling characteristics one may have. It carves the path for many plays and stories and is usually not recognized until a situation is too late to fi x. This is represented in the two plays Oedipus the King and Antigone by Sophocles. Oedipus and Creon, the two the tragic heroes, have ignorance built up inside of them, though both are different. They then both then have realisation of their blindness by self-love, either by themselves or others. 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The price for this achievement could include the loss of friends, family, monetary goods, and social status. The story of Oedipus Rex is no exception. A man, seemingly through no fault or causation of his own, rises to power then suffers a great fall atRead MoreThe Tragic Hero of Oedipus Rex Essay1383 Words  | 6 PagesThe Tragic Hero of Oedipus Rex According to the ancient Greeks and Aristotle the hero is a person who possesses superior qualities of mind and body, and who proves his superiority by doing great deeds of valor, strength, or intellect. In Sophocles Oedipus Rex the main character Oedipus possesses these characteristics of a true hero, which in turn lead to his self-destruction. In the beginning of the play Oedipuss great intellect is made known by the chorus who see him as someone who hasRead MoreCorruption In Oedipus The King And Antigone988 Words  | 4 Pages In Sophocles’ Oedipus The King and Antigone, Sophocles used two tragic stories to explore issues and themes involving that can be interpreted in several ways depending on the readers understanding of the play and the main theme in focus. From a personal view point, themes such as corruption, injustice, civil disobedience and power drunkenness were explored rampantly by Sophocles to further dramatize a story that conveys so much messages. The ancient Greeks are well recognized for gifting the modernRead MoreOedipus Rex Vs. Antigone1417 Words  | 6 PagesComparative Essay 11-20-01 Oedipus Rex Antigone It is only natural that an author use similar vessels of literature, such as figurative language, literary devices, and elements in his/her work. It is even more apparent between works that are connected by character, time, and theme. Sophocles did this when he wrote Oedipus Rex and Antigone. When comparing the two pieces, it becomes evident that very similar vessels connected these very different plays. Sophocles uses a specific type of figurativeRead MorePolitical Power During The Time Of Sophocles King Essay1508 Words  | 7 PagesIn the plays of Sophocles, we see various form and displays of political power. It is shown in a variety of ways. In both plays we see very similar displays of political power. When you think of political power today it is very different to how it was viewed back in the time of Sophocles. Sophocles shows examples of political power in his plays and these examples have many connections to people or things. In King Oedipus, we see an arrogant and very mean king. He cares about what the people need
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